Comic Con

Recently I wound up at Comic Con in downtown Lexington, Kentucky. I was in town for a show at Rupp Arena. As I entered the lower levels of the arena, some of my friends informed me that Comic Con was taking place in the adjacent convention hall and I had to check it out. My all access pass would seemingly get me in.

I don’t have anything against my fine fellow human beings who are in to that world, but it is simply not me. Just when I thought I had seen enough, I came upon some people who are/were very important to me.

WWF was a big deal to me back in the late 80s and early 90s. Big deal. You may not know these guys, but suddenly I was walking past Hacksaw Jim Duggan, Greg The Hammer Valentine, and Brutus The Barber Beefcake.

I was stunned.

When I saw the movie The Wrestler back in 2008, my eyes were fully and finally opened to the realities of what happens to these real lives.

We all want to be entertained. We all want to connect with something. For a few of my younger years, I was “all in” on WWF, especially Hulk Hogan and Ultimate Warrior and Macho Man and Undertaker.  Yes, this was before the panda bears officially won rights to those three letters.

But those guys froze in time back when I stopped watching or caring about wrestling, right? They were bigger than life characters who sometimes positively, sometimes negatively, impacted the lives of those who cared to watch. They had it made, and that never changed, right?

Yeah, the film The Wrestler deeply impacted me. Mickey Rourke is phenomenal in that role. But five years later I accidentally went to Comic Con. I mostly hate that I went – both because I really don’t care about weird-ass creepy costumes and comic books, but mostly because I ran directly into my own unquestionable confirmation that we are mere mortals. A few of my heroes – from my childhood – had made their way to Heritage Hall and were sitting behind tables of 8x10s waiting for anyone interested to come by, throw a bit of financial support their way, then maybe pose for a quick photo and share an autograph.

But very few were stopping by.

I didn’t know what to do. I had no cash. It was obvious they weren’t taking debit cards. It was a weird moment, I’m not going to lie. I found my better half and we receded to our original destination. I basically ran, and I have thought about it a lot since.

It all ends someday. It has to. Goodness, please let that be a reminder to take advantage of every sweet little moment you have. Treat people well. Call your mom. Don’t be a dick. Smile. Laugh. And for you music industry people – clap! - and at least pretend to still care about the music.

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Timberlake

Justin Timberlake’s new album – The 20/20 Experience – comes out this Tuesday, March 19, 2013. Some would say he is overexposed, I say he is right on track.

Look, I do have issues with those that become overexposed – Adele, Arcade Fire, etc. – but Timberlake’s album isn’t even out yet.

I’m not saying it’s all about week one, but my goodness, if you don’t come out of the gates strong, it could damn you forever – or at least for a while. Especially when you are operating on a Justin Timberlake level.

When a movie doesn’t come out strong at the box office, that is not a good thing. Again, I’m not here to say week one is everything, but coming out of the blocks in an effective manner is a good thing in any race or marathon.

I don’t need much reminding that Timberlake has new music coming out. I’ve been waiting for this for years, along with thousands and thousands – likely millions – of others who have been waiting for this since FutureSex/LoveSounds in 2006.

Of course I saw the teaser video, read multiple articles, saw Justin on SNL (awesome!), heard “Suit & Tie” on the radio countless time, and have seen the music video for “Suit & Tie” a few times while on the elliptical at the gym.

It is really tough to be overexposed when it’s been 7 years since your last album that sold some 4 million copies.

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Mumford at Red Rocks

Music, live music, the right venue, capturing it on film, a great song, a killer band, the perfect atmosphere – that magic is captured in this video. Please take 5:13 and watch it here.

I only seem to become more of a Mumford fan.

When I first heard Sigh No More nearly four years ago, I loved it. But then I got really tired of it because that’s all people were talking about, like Adele.

Then I heard “I Will Wait” on Lightning 100 late Summer 2012. I was definitely ready for more Mumford & Sons. I bought the physical deluxe disc during street week, along with some 600,000 of my friends.

I listened and loved it. I kept listening. Then took a bit of a break. Then I listened more, and more. It is so damn good.

Then the band’s live album from Red Rocks (The Road To Red Rocks) showed up in Spotify a few weeks back. Oh my goodness. That is why concerts continue to take place.

Please listen to, and learn about, this band. They are easily one of the most important bands of this era. Any artist that can combine such critically-acclaimed music with mass success like Mumford is doing (okay, like Adele) is instantly on the ever-growing must-know list for anyone who cares about music.

Mumford’s latest studio album – Babel – recently collected a humble trophy for Album of the Year at the 55th Annual GRAMMY Awards (2013).

The Road To Red Rocks DVD is available here.

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Dave Grohl Is Not Too Cool for Barry Manilow

Are you?

I love Barry Manilow. Yes, my parents raised me on “Copacabana,” etc., but what’s not to love no matter your upbringing? “Mandy,” “I Write The Songs,” “Looks Like We Made It,” “Could It Be Magic” – are you kidding me? Oh, and the State Farm and Band-Aid jingles?

In British GQ, Dave Grohl of the bands Nirvana and Foo Fighters, said, “Barry Manilow is the coolest motherf**ker in the world.”

Some of you may be interested to know Manilow grew up in Williamsburg, Brooklyn, one of the world’s epicenters of hipsterdom.

Most of you probably like Dave Grohl, or you like Nirvana, of the Foo Fighters, or you like what you saw in Grohl’s directorial debut, Sound City, but chances are good that you may not care for Mr. Manilow. Somehow he has fallen in that category of artists that are cool to hate.

In the same British GQ article, Grohl continues, “The only time I’d seen Barry before was at a Clive Davis party where he performed a medley of his hits that went on for half an hour that left everyone – from Puff Daddy to Pearl Jam – in tears.”

Add Sean Combs and Eddie Vedder to the list of Manilow fans.

Dave also goes on to share that Manilow loves the Foo Fighters.

Enjoy the music. Whether it’s the most indie, hipster-friendly act, Barry Manilow or the Bee Gees, let your culturally-constructed walls fall. There is too much good music, and too little time.

 

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Sam Adams and Tim McMorris

The Sam Adams commercial synced to Tim McMorris‘ song “Overwhelmed” is not new, but I saw it for the first time in a while the other day and completely fell in love with it. I’m not a huge Sam Adams guy, and I have little personal connection to Boston, but if you have any sort of pride or identity in a town, and/or a town’s product that has employed countless individuals over the years, then this commercial should mean something to you.

I’m a St. Louis guy myself. I would like this commercial even more if it were based at One Busch Plaza in St. Louis.

But that’s not the point. This perfectly produced commercial absolutely grabbed my attention, pulled on my heartstrings, and has me thinking about it far after its 30 seconds are over.

Is it the song? The product? The visual? The people? The significance of what the product means to the people?

Yes. It is all of it. It is all connected. You can’t have one without the other.

Maybe people love Sam Adams and have significant history with the product and its city, but separate of the genius of someone like Tim McMorris, they’re not quite sure how to express it.

Cue Tim McMorris and his beautiful song, “Overwhelmed,” and suddenly all of the feel-good associated with Sam Adams takes on a level of meaning those people didn’t even know they could feel.

 

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